“12th Solo Exhibition, Kumar Gallery, New Delhi, 1968,” Late – Richard Bartholomew, The Times of India, New Delhi, 18 November 1968
“12th Solo Exhibition, Kumar Gallery, New Delhi, 1968,” Late – Richard Bartholomew, The Times of India, New Delhi, 18 November 1968 Without seeming to apply any rigid theory Om Prakash manages to communicate the theme of radiation. I like to look at these paintings as signals. Traffic signs and super-sensory cards are signal material : […]
“Beautiful Exhibition by Om Prakash,” Late – Richard Bartholomew, The Times of India, New Delhi, 18 November 1969
Beautiful Exhibition by Om Prakash In the past three years the paintings of Om Prakash have become more and more articulate and the present exhibition is his finest. There is a clarity of vision. Immaculate craftsmanship always impresses, but, when it embodies feeling and not merely cleverness, we have sensitive art. At some stage in […]
“Magnificent Work by Om Prakash” Late – S.A. Krishnan, The Statesman, New Delhi, 18 November 1969
Magnificent Work by Om Prakash There is a distinct musical quality, a precise kinship with sound patterns and melody. Indeed he surpasses himself, by a long stride over the remarkably successful work seen in his last show. His current work is as soundly based on a immaculate inter-relationship of design and colour, mass and form […]
“Moving Paintings by Om Prakash” Late – S.A. Krishnan, The Statesman, New Delhi, 11 November 1970
Magnificent Work by Om Prakash There is a distinct musical quality, a precise kinship with sound patterns and melody. Indeed he surpasses himself, by a long stride over the remarkably successful work seen in his last show. His current work is as soundly based on a immaculate inter-relationship of design and colour, mass and form […]
“Lyrical Compositions of Om Prakash” Art Critic, The Economic Times, New Delhi, 20 October 1971
Lyrical Compositions of Om Prakash Om Prakash’s works seem to restate William Blake’s observation “I question not my corporeal or vegetative eye any more than I would question a window concerning a sight. I look through it and not with it”. There is a tightness of construction in these paintings, a continuity of mood which […]